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Best of Bill Monroe's Music 1936-1994 | Bluegrass Legend Collection | Perfect for Country Music Fans & Bluegrass Enthusiasts
Best of Bill Monroe's Music 1936-1994 | Bluegrass Legend Collection | Perfect for Country Music Fans & Bluegrass Enthusiasts

Best of Bill Monroe's Music 1936-1994 | Bluegrass Legend Collection | Perfect for Country Music Fans & Bluegrass Enthusiasts

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Description

It's the rare artist who virtually invents a genre single-handedly, and there's no artist in any genre whose work has remained as dominant a force as Bill Monroe. The songs here not only define bluegrass, they remain the core of any bluegrass band's repertoire. Monroe added a dose of sophistication to traditional hillbilly music--intricate group harmonies, expert musicianship--and he rehearsed his Blue Grass Boys for hours on end. Beginning with 1936 duets with brother Charlie, the list of Blue Grass Boys reads like a roster of legends: Flatt and Scruggs, Chubby Wise, Mac Wiseman, Jimmy Martin, Vassar Clements, Sonny Osborne, Bobby Hicks, Kenny Baker, Bill Keith, Del McCoury, Peter Rowan, and Richard Greene; the list goes on and on, as does the legacy of Monroe's music. --Marc Greilsamer1. Muleskinner Blues 2. Heavy Traffic Ahead 3. Uncle Pen 4. In The Pines 5. Footprints In The Snow 6. Walking In Jerusalem 7. Sitting Alone In The Moonlight 8. White House Blues 9. Dark As The Night, Blue as the Day 10. I'll Meet You In The Morning 11. Midnight On The Stormy Deep 12. With Body And Soul 13. Get Up John 14. Rocky Road Blues 15. My Sweet Blue-Eyed Darlin' 16. Boston Boy

Reviews

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- Verified Buyer
These are the real Bill Monroe recordings, not all of them of course but a good sampling of his work from 1936 until 1994. Monroe died in 1996 so there is no more. I'd also recommend his essential recordings from the Essential Bill Monroe, which sampled his early post WWII Blue Grass Boys music.In addition to creating his own musical genre Monroe was one of the defining figures of modern mandolin techniques. The new listener will find that his mandolin is often played in a complex melody or counterpoint, with runs fully equal to those of the best jazz clarinetist or saxophonist. In many of his tunes you will hear his mandolin skating around the tune like a dragonfly, darting here, there and yonder! Ignoring the rest of his musical impact his mandolin riffs alone are worth the price of the CDs.Monroe and his bands marked the transition from old time country music to modern musics and sitting on the cusp of change his many styles were eclectic. These songs are likewise varied, from classics like Dusty Miller, Soldier's Joy, Sally Goodin, Sailer's Hornpipe, et cetera, old time hymns and on into his later styles. There are blues, bluegrass and country songs which sound more modern, all of which bear his stamp of authenticity.Anyone who knows of him knows that there were about 160 musicians who played with him and the Blue Grass Boys. Many of the living ones still call their music Bluegrass, but I guess that is kind of like Paul or Ringo playing an occasional Beatles song, just not the same. And once they're gone there will be no bluegrass at all, just copies of copies. You can make a copy of the original but a copy of a copy just ain't right.